Hand-painted blue and white gaiwan tea cup with silver rim and Three Friends of Winter motif
Hand-painted blue and white gaiwan tea cup with silver rim
Hand-painted blue and white gaiwan tea cup with silver rim
Hand-painted blue and white gaiwan with silver-rimmed mouth
Hand-painted blue and white gaiwan tea cup with silver rim
Hand-painted blue and white gaiwan tea cup with silver rim
Hand-painted blue and white gaiwan tea cup with silver rim

銀縁の手描きの青白磁蓋碗

$256.98

スタイル: 蓋碗

蓋碗
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合計金額:$2,188.23
説明

この手描きの青白磁蓋碗は、中国の景徳鎮で製作され、松、竹、梅をあしらった「冬の三友」の呉須絵が施されています。純銀の縁取りで仕上げられた、機能的な抽出と中国の伝統的な陶磁工芸の双方を重んじる茶愛好家のための、洗練された工夫茶用器です。

商品詳細

  • タイプ：手描きの青白磁蓋碗

  • 素材：高温焼成の磁器

  • 原産地：中国江西省景徳鎮

  • 装飾：手描きの呉須絵

  • モチーフ：冬の三友 — 松、竹、梅

  • 縁：純銀の縁取り

  • 蓋碗の直径：95 mm

  • 蓋碗の高さ：75 mm

  • 満水容量：130 cc

  • 蓋を閉じた状態での抽出容量：約100 cc

  • 用途：工夫茶の抽出

  • 付属の茶杯：龍卵杯、36 cc

この青白磁蓋碗が特別な理由

この蓋碗の最大の特徴は、手描きの呉須絵です。コバルトの絵付けは最終的な釉薬焼成の前に磁器本体に施されるため、絵柄は表面に付着した装飾層ではなく、完成した陶磁器の表面そのものになります。

さらに多くの手描きデザインを比較したい場合は、手描き蓋碗コレクションをご覧ください。

松、竹、梅をあしらった「冬の三友」のモチーフは、機能的な工夫茶用器に中国の伝統的な意匠を添えています。

工夫茶に適した形状とは

大きく開いた95 mmの縁と75 mmの高さにより、比較的開口部が広く、茶葉の投入、注湯、蓋の操作がしやすい形状になっています。

注ぎの際には、碗、蓋、縁の関係も重要です。さまざまな蓋碗の形状について詳しく解説した蓋碗の形状ガイドをご覧ください。

蓋を傾けて茶葉を碗に残したまま茶を濾すことができます。器の形状が抽出にどのように影響するかについては、蓋碗が茶に与える影響をご覧ください。

手描きの呉須絵とプリント装飾の違い

青白磁の蓋碗を購入する際は、本物の手描き装飾とプリント加工の違いを知っておくことが重要です。

本製品の青い装飾は、手描きの呉須絵とされています。絵付けは釉薬を施し高温で焼成する前に行われるため、表面の転写シールとは異なり、絵柄、釉薬、磁器が一体となった仕上がりになります。

そのため、本製品は単なる青白磁の茶碗ではなく、機能的な陶磁工芸品として捉えるべきです。

磁器と純銀の縁のお手入れ

中性洗剤と柔らかいスポンジを使って手洗いすることをおすすめします。洗った後は乾燥させ、研磨剤入りの洗剤は避けてください。

縁には純銀を使用しているため、時折自然に黒ずむことがあります。必要に応じて、柔らかいジュエリー用ポリッシングクロスをご使用ください。

よくある質問

この青白磁蓋碗は本当に手描きですか？

はい。本製品は転写プリントではなく、手描きの呉須絵が施されています。

この蓋碗はどこで製造されていますか？

本製品は、中国で最も有名な磁器生産地の一つである江西省景徳鎮製です。

容量はどのくらいですか？

満水容量は130 ccで、蓋を閉じた状態での抽出容量は約100 ccです。

「冬の三友」のデザインにはどのような意味がありますか？

松、竹、梅を組み合わせたこのモチーフは、伝統的に強靭さ、高潔さ、忍耐の象徴とされています。

毎日使ってもいいですか？

はい。工夫茶用の実用的な器として設計されていますが、磁器と純銀の縁は適切に取り扱ってください。

この景徳鎮製蓋碗を、徳化、薪窯焼成、陶器製の蓋碗と比較するには、中国蓋碗コレクションをご覧ください。

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よくある質問

I bought a “hand-painted” porcelain tea set before and the blue color started fading after just a few months of use. Why does that happen, and will yours do the same?
This is one of the most common and frustrating complaints we hear. What you experienced was almost certainly machine-printed decal work falsely marketed as hand-painted. Decals sit on the surface of the glaze rather than being fused into it, so they scratch, fade, and peel with regular washing. Our Blue and White Porcelain Gaiwan uses true underglaze hand-painting: the cobalt pigment is applied to the raw porcelain body before the glaze, then fired at 1200–1400°C. The design becomes permanently embedded in the ceramic matrix. It will not fade, scratch, or wash off—ever. The only way to damage it is to physically break the porcelain itself.
I’ve bought gaiwans where the lid doesn’t fit properly—it wobbles, doesn’t seal, or pours tea everywhere. How do I know yours won’t have the same problem?
Poor fit is a recurring complaint in customer reviews across many tea ware brands. The issue stems from inconsistent kiln shrinkage during firing, which manufacturers often fail to control. Each piece in our set is individually inspected for fit and finish before leaving the workshop. The lid seats securely against the bowl rim without being too tight—you can tilt it smoothly to strain leaves and control pour speed. You won’t experience the “lid falls off when tilted” problem, nor will you struggle with a lid that is stuck so tightly you burn your fingers trying to open it.
I’ve read reviews where people say thin porcelain gaiwans are too fragile and chip easily. Is that true for this set?
There is a widespread misconception that hand-painted or thin porcelain is inherently fragile. What actually determines durability is the firing temperature and the quality of the glaze, not the thickness of the body. Our porcelain is fired at high temperatures that vitrify the clay, creating a glass-hard surface that resists chipping and cracking under normal use. Yes, if you drop it on a tile floor, it will break—just like any ceramic. But for everyday handling, pouring, rinsing, and even travel, this set holds up remarkably well. Many users report years of daily use without issue.
I love the look of silver rims, but I’ve read that silver can tarnish and is hard to maintain. Is that true?
Yes, pure silver does tarnish over time when exposed to air and moisture—that is simply the nature of the metal. However, the tarnish is easily removed with a soft polishing cloth. More importantly, the silver rim on this set is a relatively small surface area, so maintenance is minimal compared to a full silver teapot or serving set. We recommend hand-washing with mild detergent and a soft sponge, drying immediately, and occasionally polishing with a jewelry cloth designed for silver. Avoid dishwashers—the high heat and harsh detergents can accelerate tarnishing and potentially damage the porcelain glaze.
I travel frequently and want a Gaiwan Travel Tea Set I can take on planes and pack in a suitcase. Can this set handle that?
Yes, with one important caveat. The set itself is compact and lightweight—the gaiwan nests with the cup, and both pieces take up very little space. However, we do not include a padded travel case. We strongly recommend wrapping the pieces individually in soft cloths or bubble wrap and placing them in a rigid container if you are checking luggage. For carry-on baggage, the set is perfectly fine. The thin-porcelain design is durable under normal handling but not shockproof. Many customers have successfully traveled with this set for years by packing it carefully.
How does hand-painted porcelain compare to bone china in terms of quality and value?
This is an excellent question, and the answer depends on what you value. Bone china incorporates bone ash to achieve a bright white color and a glass-like translucency, and it is extremely durable. However, most bone china tea sets on the market are machine-printed, not hand-painted. Hand-painted porcelain offers something different: the direct imprint of an artisan’s skill and intention. The value lies not in the material cost but in the labor and tradition behind each piece. A Ceramic Blue and White Gaiwan that is genuinely hand-painted will always carry a different kind of value—emotional, aesthetic, and cultural—than a machine-made alternative, regardless of the clay body used.