Handmade Zhu Ni “Lao Zhu Ni” Pear-Shaped Yixing Teapot – Hand-Carved Orchid, Sterling Silver Double Rim, 100ml – Authentic Chinese Gongfu Tea Pot
Handmade Zhu Ni “Lao Zhu Ni” Pear-Shaped Yixing Teapot – Hand-Carved Orchid, Sterling Silver Double Rim, 100ml – Authentic Chinese Gongfu Tea Pot
Handmade Zhu Ni “Lao Zhu Ni” Pear-Shaped Yixing Teapot – Hand-Carved Orchid, Sterling Silver Double Rim, 100ml – Authentic Chinese Gongfu Tea Pot
Handmade Zhu Ni “Lao Zhu Ni” Pear-Shaped Yixing Teapot – Hand-Carved Orchid, Sterling Silver Double Rim, 100ml – Authentic Chinese Gongfu Tea Pot
Handmade Zhu Ni “Lao Zhu Ni” Pear-Shaped Yixing Teapot – Hand-Carved Orchid, Sterling Silver Double Rim, 100ml – Authentic Chinese Gongfu Tea Pot
Handmade Zhu Ni “Lao Zhu Ni” Pear-Shaped Yixing Teapot – Hand-Carved Orchid, Sterling Silver Double Rim, 100ml – Authentic Chinese Gongfu Tea Pot
Handmade Zhu Ni “Lao Zhu Ni” Pear-Shaped Yixing Teapot – Hand-Carved Orchid, Sterling Silver Double Rim, 100ml – Authentic Chinese Gongfu Tea Pot
Handmade Zhu Ni “Lao Zhu Ni” Pear-Shaped Yixing Teapot – Hand-Carved Orchid, Sterling Silver Double Rim, 100ml – Authentic Chinese Gongfu Tea Pot
Handmade Zhu Ni “Lao Zhu Ni” Pear-Shaped Yixing Teapot – Hand-Carved Orchid, Sterling Silver Double Rim, 100ml – Authentic Chinese Gongfu Tea Pot

Zhu Ni “Lao Zhu Ni” Pear Shaped Yixing Teapot – Double Silver Rim, Hand-Carved Orchid – MoriMa Tea

$277.57

Encounter a heart-warming tea container, taking a sip or two of light and elegant tea in the middle of a busy schedule; between touch and vision, clearly comprehend heaven, earth and people of nature and ingenuity.

STYLE: No Silver

No Silver
Silver Clad Rim

Frequently Bought Together

Total price:$475.13
Description
  • Material: 100% Lao Zhu Ni (aged Yellow Dragon Mountain ore), no additives.
  • Origin: Yixing, Jiangsu.
  • Form: Flattened pear (Bian Li), modeled after an early Qing museum prototype.
  • Capacity: 100 ml (approx. 3.4 fl oz) — ideal for 1–2 people in gongfu style
  • Dimensions: Overall length (spout to handle tip): 10.9 cm (4.29 in)
  • Width at widest point: 8.5 cm (3.35 in)
  • Height: 5.3 cm (2.09 in)
  • Lid Fit: Hand-ground, snug seat, no wobble.
  • Rim Mounts: Sterling silver double rim (pot mouth + lid lip), hand-wrapped, mechanical bond.
  • Decoration: Fully hand-carved orchid motif using traditional steel blade.
  • A Pearl in the Palm. A Meditation in Clay.

    This isn’t simply a teapot. It’s a quiet invitation to slow down. Sculpted entirely by hand from rare original Zhu Ni clay in the ancient kiln town of Yixing, Jiangsu, the Flattened Pear – Bian Li – is a vessel steeped in the restraint and elegance of Ming‑Qing literati taste. Compact enough to close your fingers around, yet visually commanding in its stance, it embodies a serene, grounded presence that makes every tea session feel like a ritual. The body sits with the unshakable calm of a monk in repose, while the gentle curve of the spout, the tiny jewel-like knop, and the slender loop handle create a flowing harmony. Paired with hand-wrapped sterling silver rims and a blade-carved orchid, this Yixing Zisha Clay Handmade Carved Orchid Teapot is both a functional workhorse for gongfu cha and a collectible fragment of Chinese tea culture.

  • Museum Inspiration, Hand‑Built Integrity

    The design follows an early Qing dynasty prototype preserved in the Yixing Ceramics Museum – an Antique Ming‑Qing Lao Zhu Ni Pear Shaped Teapot celebrated for its perfectly compressed proportions and stout, grounded foundation. Every pour, every gesture with this Yixing Teapot echoes that history. Measuring 10.9 cm from spout to handle, 8.5 cm at its widest belly, and standing just 5.3 cm tall, it displaces a mere 100 ml (3.4 fl oz). But that modesty is its genius. In gongfu brewing, a tiny Pear Shaped Teapot Purple Clay vessel concentrates aromas in a way a large pot never can.

    What makes this Original Zhu Ni Clay Zisha Teapot truly rare is the clay itself. We use only Lao Zhu Ni – aged, weathered raw ore from the Yellow Dragon Mountain range, no chemical additives, no synthetic colorants. High‑density Zhu Ni fires to a glossy, almost waxy cinnabar‑red that seems to glow from within. There’s no glaze. The unadorned, micro‑porous surface breathes with your tea, smoothing out astringency and rounding the edges of complex aromatics. This is the real Zhu Ni Clay Yixing Teapot experience that machine‑pressed or slip‑cast imitations simply can’t deliver.

  • Double Silver Rim – Function Meets Poetry

    Look closely at the lip. Both the rim of the Yixing Teapot and the rim of the lid are hand‑wrapped in fine sterling silver – a “double mounting” that elevates this piece into something truly singular. The technique does two things brilliantly. First, it shields the most vulnerable edges from accidental knocks; chipping a naked clay rim is a heartbreak every tea lover knows, and the silver acts as a discreet armor. Second, the cool gleam of the metal against the dense red Zhu Ni body creates a breathtaking contrast. Over months of use, the silver will mellow into a soft, smoked patina, telling the story of your shared mornings. This is a Chinese Yixing Zisha Clay Teapot Orchid Pot where decoration is never just decoration – it’s protection with presence.

  • Hand‑Carved Orchid – The Scholar’s Mark

    Before the clay was fired, an artisan sat with the leather‑hard body and knife‑cut every leaf and petal by hand. The orchid is not a decal, not a stamped repeat. Run your finger over it and you’ll feel the slight irregular depth of the blade, the subtle pauses where the carver breathed. In Chinese literati culture, the orchid stands for refinement, quiet virtue, and resilience – the perfect motif for a Zhu Ni Clay Elegant Orchid Flattened Pear Zisha Teapot. It whispers rather than shouts. Combined with the plump, open‑bellied pear silhouette, the pot becomes an object you’ll want to leave out on your desk or shelf just to catch the light. This is a Yixing Zisha Pot Orchid meant for contemplation as much as for brewing.

  • Why Zhu Ni & the Flattened Pear Excel at Taste

    Ask experienced gongfu brewers what they reach for with high‑fire oolongs, Dancong, Wuyi rock teas, or aged Pu‑erh, and the answer is often Zhu Ni Clay Yixing Teapots. The clay’s moderate porosity and high density trap heat fiercely, coaxing tightly rolled leaves to unfurl completely inside the wide, flattened cavity. Fragrance concentrates at the shoulders and glides out through the elegantly curved spout without a hint of dribble – we fit each Zhuni Clay Teapot with a 7‑hole inner filter for a clean, swift pour that cuts off neatly.

    This Pear Yixing Teapot is a solo or duo dream. Load 5–7 grams of tea, flash rinse, and watch as the brew evolves across 8, 10, 15 infusions. The mouthfeel turns silky, the aroma lifts, and the aftertaste lingers longer than you expect. It’s equally at home on a weathered wooden tea tray as it is packed in a travel pouch for an open‑air tea session among mountains.

  • The Feel of a Lucky Charm

    Pick it up. It weighs next to nothing, yet sits with immense solidity. The flattened pear shape is beloved for its ergonomic perfection – your thumb finds the handle, your index finger balances the lid, and the Yixing Teapot becomes an extension of your hand. In Chinese symbolism, the pear (li) carries the homophone for “benefit” and “prosperity”, and the full, generous curves suggest wholeness and harmony. To own it is to hold a little talisman of good fortune. Morning light catching that warm red clay really does feel like “pear blossoms falling into the cup, the clay warming under dawn glow.” Late at night, running a fingertip over the carved orchid feels like “stars hanging low, the moon rushing on a wide river.”

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Frequently Asked Questions

The last “Yixing” teapot I bought had a strong chemical smell that made me sick. I don’t trust these anymore. What makes yours safe?
That chemical odor usually comes from industrial dyes, manganese oxide, or resin binders used in slip-cast fakes. Our pot is made exclusively from Lao Zhu Ni — raw ore that was naturally weathered, stone-ground, and mixed with nothing but water. The only smell you might detect is a faint, wet-earth minerality straight out of the box, which vanishes entirely after one rinse with boiling water. We include a material origin card and encourage you to do the “dry-wipe test”: rub a soft, dry cloth on the inner wall and the outside. No color should transfer. None will.
The lid on my old small teapot wobbles like crazy and falls off mid-pour. I’m tired of broken lids. How is yours fitted?
Lids on mass-produced pots are often cast separately and poorly matched. Every one of our flattened pear teapots is hand-finished using traditional zheng kou (match grinding) — the lid and mouth are ground together until they seat with a smooth, friction-snug fit. Tilt past 90 degrees and the lid stays put. The silver rim actually improves the seal by adding just enough surface grip to prevent micro-slippage. That said, we still recommend cradling the lid with a finger during the pour — it’s a good habit, and it connects you to the process.
I’ve read that real Zhu Ni clay changes color when you pour boiling water on it. Is that true, and does yours do it?
Yes — high-density Zhu Ni can exhibit a fascinating “moisture reaction.” Pour boiling water over the outside of a dry pot, and the surface will flash-dry almost instantly, sometimes appearing to change color from a matte orange to a deeper, glossier red for a split second. This happens because the clay is so dense that water evaporates on contact rather than soaking in. Our pots display this behavior beautifully. It’s one of the simple, tactile ways you can verify genuine Zhuni Clay Teapot material right on your own counter.
I bought a silver-rimmed pot and the “silver” peeled off in flakes after two rinses. How can I trust yours won’t do the same?
That peeling is typical of electroplated coatings — a thin metallic film that cannot bond permanently to porous clay. Our rims are solid sterling silver strips, physically wrapped and compressed around the edge. There is no glue and no electroplating. The bond is mechanical and permanent. Over time, sterling silver tarnishes naturally to a smoky patina — that’s oxidation, not peeling. A soft silver polishing cloth restores the brightness in seconds if desired.
Honestly, 100 ml seems pointless. I’m used to a 12 oz mug. Why would I want something this tiny?
We hear this constantly, and it’s the most important mindset shift. This isn’t a pot for one big mug of tea; it’s a concentrate brewer for the gongfu method. You load generous leaves, steep for as little as 5–10 seconds, and pour a small, intensely aromatic shot. The same leaves then give you round after round of different flavor profiles — floral, fruity, woody, mineral — that a big pot completely flattens. If you’ve never tried gongfu brewing, this 100 ml Yixing Zisha Teapot is the perfect entry. It turns tea drinking into a 30-minute sensory journey.
I see “hand-carved” all the time, but the ones I receive are clearly machine stamps with identical patterns. How do I know yours is truly hand-carved?
Flip the pot over. Turn it in your hands. A stamp or laser engraving produces perfectly uniform, identical patterns with no depth variation. Our orchid carving shows slight asymmetries — a petal that’s a millimeter longer, a leaf vein that tapers unevenly, the faint mark where the carver paused. No two pots are identical. Photographs can’t lie to the fingertips; when you touch it, you’ll feel the three-dimensional groove of a blade cutting into semi-dry clay. This is a genuine Yixing Zisha Clay Handmade Carved Orchid Teapot — not a decal.
Will this pot crack if I pour boiling water into it on a cold morning? I’ve had ceramic teaware explode on me.
Yixing zisha clay, especially high-fired Zhu Ni, has excellent thermal shock resistance compared to glazed porcelain — but it’s still a natural stoneware, and no teapot is invincible. To be completely safe, we recommend pouring a small amount of warm water into the pot first to acclimate it during very cold weather. This pre-warming step takes 10 seconds and eliminates any risk of thermal shock. It’s the same care you’d give to any high-quality ceramic tool.